Dark Dawn Sun
I sat down
on a bench by the side of the beach and looked out across the water. The night
was deep and dark and black, with a sprinkling of stars overhead. In front of
me the water of the sea was moving to and fro quietly, to the tune of the moon
and the tide. Behind me everything was quiet; suspiciously so. The world seemed,
while asleep as usual, just a bit more inactive than normal. Was it due to the
pandemic that was ravaging the world? On the way overhere the roads had been
completely deserted, a real joy to drive down: night giving way before
headlights, closing in again behind. Stars overhead, looking down, icecold and
disinterested.
A couple of
nights ago we had sat here in this same spot, three of us, partners in crime,
and had stared out into the night. We had spotted a multitude of satellites
revolving around us; at one point there were four of them, all of them
appearing in the same part of the sky, all of them spaced the same distance
apart from each other. They travelled from left to right in the sky in front of
us, then, just before they disappeared around a corner of the square universe,
another two appeared from the exact same spot, the exact same distance spaced
apart. It was intriguing. Who was watching us? The Yanks, the Russians, the
Chinese? Our own government? It raised questions of exactly to what extent we
are under surveillance, here on Earth, by whom, and for what purpose. Mind
control and world domination spring to mind.
For a long
time I sat there by myself, growing increasingly puzzled at the absence of
other members of the crew, who had indicated their intentions of being here.
Eventually I stopped thinking about it, and gave in to the beauty, peace and
quiet of the night, of those couple of hours when all creatures traipse around as
if on eggshells, holding their breath. I have had a long and intense
relationship with the pre-dawn time. I used to sneak through the high, brown
speargrass of the dry season in the dark verging on twilight, stalking the
pretty-faced wallaby for my breakfast, along and around the banks of the muddy
river. Staying well away from the water’s edge, where old man crocodile was
waiting to stalk me in turn, for his breakfast. Everything eats something.
Other times I used to run barefoot through the red dirt, trees dim shapes by my
sides, in exactly the right amount of twilight that would allow me to see the
snakes curled up in the dust in front of me before I stepped on them; a
sure-fire way to ruin a perfectly good day. When the tide dictated it, we cast
off our moorings from the quayside in the dark before the dawn, to ride the
high tide out through the bar to go and chase and catch fish for a living, the
diesel engine chugging away steadily and reliably into the night, the smell of
diesel mixing with the scent of the tide, oysters on the rocks, wet sand on the
shore. There is deep peace and contentment in the Dark Dawn.
These days
instead of hunting animals and fish I hunt waves. I am fascinated and
spell-bound by their ephemeral nature, creatures of light and air and water,
that cannot be held in the palm of a hand, cannot be tied down, cannot be shot,
skinned or butchered, and provide endless and unlimited enjoyment when caught
at the right moment, and exasperation and frustration when not. While they
don’t feed the physical stomach, they feed the human hunger for joy, pleasure
and happiness. There is, on the whole, less violence and blood involved,
unless, of course, a situation is mishandled, a wave is misread, and close and
intimate acquaintance is made with rocks, sandbanks, fibreglass surfaces and
razor-sharp fins, which does occur alarmingly regularly. In terms of violence,
it does happen when the human beast gets too closely caught up with other human
beasts and turf-wars and proprietary attitudes are brought into play on the
water; but fortunately it’s a rare enough occurrence.
Avoiding
too much interaction with The Human Beast in the water is the prime reason for
turning up in the dark of the night to chase waves. Our breaks here are famous
and well-known, and eagerly sought out by people from all over the world. At
any time other than Dark Dawn it can be very hard to get a wave. An additional,
altogether much more grimmer aspect is lent to our pre-dawn exercises by the
pandemic that is engulfing the world: in some countries people are dying by the
thousands from an infectious disease, and we are urged to stay well away from
other people, to try to control the spread of the virus causing the deaths.
Eventually
a car well-known to me pulled up next to mine. I checked my watch. It was six
am. I had been sitting there contemplating the world for forty-five minutes.
Chief Switchfoot jumped out of his van.
‘How are
ya!’
‘Yeah, not
bad. Having a bit of quiet time.’
‘What’s it
look like out there?’asked the Chief, myopically peering into the darkness.
‘Dark.’
‘No,
really?’
‘I kid you
not.’
‘The tide’s
still coming in, isn’t it.’ The Chief checked his watch. ‘Yeah, it’ll be high
tide at six.’
‘At six?’I
frowned, and checked my watch in turn. ‘It’s six now!’
‘Nah, it’s
five. Daylight saving time’s finished, mate,’ said the Chief, grinning with the
knowledge that I got caught out.
‘You’re
joking! Bloody hell!’ I exclaim with feeling, adding ‘that explains why it was
so quiet everywhere all the way here ... an hour ago ...’
‘Hahaaaa!
Yeah mate, time to change the clocks!’the Chief laughs, happily entertained by
my mistake, which, I now realised, had seen me get up out of bed at a quarter
past three, only to sit here by myself looking out over the ocean for an hour,
contemplating life at night. No wonder I had been a bit confused. So, fair
enough, the joke was on me, and I laughed along, albeit on the other side of my
face.
Before long
others arrived, and we got kitted up and ready. Boards under our arms we
clambered down to the sand of the beach, and set off. There was four of us at
this stage: Chief Switchfoot, his daughter’s boyfriend The Grinner, and the
latter’s dad, known as The Jockey, for his stance on his board when he’s on a
wave. He stands with his legs bent and bowed, ridiculously wide apart, leaning
forwards and holding his hands in front of him, clutching imaginary reins and a
horsewhip, gunning it in the Melbourne Cup on every wave, and, most
importantly, looking neither right nor left but hellbent on chasing forwards
and running over everything and everyone that has the misfortune of getting in
his way. And then of course there was myself, The Baboon, proud owner of an unimitable and unenviable surf stance that points the bright pink ape arse high
to the sky, due to an unusual and skewed sense of centre of gravity, combined
with an unfortunately prominent rip at the back of my boardshorts.
We walked
down the beach, sloshing through the water puddling up right underneath the bottom
of the bank separating the beach from the carpark. It was an exceptionally high
tide, and with every surge more water washed over the flats. The way the sand
of the beaches comes and goes is spectacular, and never fails to amaze me.
Fifteen months ago at this exact same spot the sandy beach reached down fully
two hundred metres to the waterline, due to a huge build-up of sand. Traversing
it felt like travelling through a desert. Now the water was hard up against the
banks almost, and there was no trace left of that huge deposit of sand.
Overhead
the sky was lightening up and changing colour. The blackness slowly faded out
of the night, making way for pale streaks of pink, purple and light blue,
interspersed with the first hints of orange. The newly-found light afforded a
better view of the scene, and we made our way down to the end of the beach,
near where the waves broke on a bank of rocks. Launching ourselves out onto the
waves we paddled hard, riding the crests of the beach break until we had made
it into the zone where the waves rolled up and started to bend forwards into a
rideable shape.
There was
no one else out, and we had the whole area to ourselves. In front of us, the
end of the bay, leading into the open ocean on our right, there where the last spit
of land, the final finger of rock, jutted out into the sea, signalling the end
of the land, the last outrunner of The Cape. To our left, the inside bulk of
the bay, shallow and even, given rise to some of the best waves in the world,
clean, straight and above all long, running on for hundreds of metres. Behind
us, a conglomeration of rocks, a tumble-down jumble of sharp edges and jagged
lines, where the waves we would be catching would throw us onto if we went to
far and showed ourselves too keen, and, above all, too stupid.
Waves rose
up in front of us, we spun and turned, paddled and jumped, dropped and carved,
and rode them out in ecstacy all the way to the rocks; dropped down on our
boards and returned back to the take-off spot. Eyes scanning the horizon,
scouting for changes in the pattern of the waves, trying to suss out where the
best place would be for the next wave, an ever-shifting interaction of swell,
drive, drift, current and tide. Before long we were joined by The Snake Catcher
and The Uncle, who had been dragging their respective chains. And there, in
that space between the land, the sea and the sky, neither in the water nor in
the air, but somewhere in the twilight zone in the middle of them, we caught
waves and rode along with the rise and fall of the ocean. Now sitting together,
bobbing up and down on the water, now scattered, dispersed and out of sight,
moving along with the pull of the sweep.
I arrived
back more or less to where I thought I wanted to be for my next wave, and sat
up on my board, happy with the last wave I had caught. I closed my eyes and
leaned back. And as I was doing so, the sun finally broke through the surface
of the water, rose up above it, and appeared from around the corner of The Mighty
Cape. Feeling its rays on my face, I opened my eyes again, and looked it right
in the eye. Its big round yellow eye with ragged edges of orange and dark red, starkly
outlined against the hard blue sky behind it. It smiled at me, and winked. I
winked back.
I could
feel The Song rising up inside of me, bursting at the seams, dying to pour out
into the world. There is, I will have you know, a Song for Every Occasion in
this life. Human experience on earth is accompanied by, documented in, and
given meaning to through Song. Traditional Aboriginal culture codified the very
rules for human interaction with the world in cycles of songs, explaining both
the origin of the world, humanity’s place in it, and the state in which things
needed to be kept for the world order to stay stable. It was humanity’s duty to
perform the songs, which, by the very act of performing them, MAINTAINED the
world order. The link between the song and the very existence of all life was unbreakable,
indelible, essential. If the songs ever failed to be performed, the world would
collapse. The people and the animals would die, rivers would cease to flow,
mountains would crumble and turn to dust, and the sun would cease to rise and
shine.
Sure
enough, when whitefella come down and shot and poisoned everyone, enslaved the
survivors, outlawed their language, their traditions and their culture, and
forced them all to speak English, the Songs ceased to be sung, and the world
collapsed. The state the Murray-Darling River is in today is tragic and stark
evidence of that. Banks are eroded, forest are in die-back, water is stolen and
horsetraded by large corporations upstream, remaining puddles are poisoned and
de-oxygenated, and fish, trapped in depleted waterholes, asphyxiate and die.
Hundreds and thousands of majestic Murray River cod, yellowbelly and bream
turned belly up, their rotting corpses covering the dwindling waterholes like a
putrid blanket of death. Meanwhile, far away upstream, and in a direct line to
numbered and untraceable bank accounts in the Cayman Islands, vast profits are
made from speculative trading of water-access rights. The clicking of the
numbers on the computer screens of stock exchanges is singing a new and
different song, of bottom lines, balance sheets and dividends, and while fat
cats in suburban mansions rub their hands and count their money, the country
dies, along with the Old Song. Maybe the Virus will get them ...
There’s a
song for every occasion. Sunrise, to me, has only one song, immortal and
eternal. I opened up my mouth, threw my head back, and set the song free. The
words came flying out, like endless rain into a paper cup:
“Here comes
the sun, doodum doodoo, here comes the sun, and I say, it’s all right ....”
I lifted my
face up to the sun, the better to soak up it’s warmth, it’s life-giving heat.
Without sunlight and sunwarmth, we’d be fucked. There’d be no life on earth. My
face creased into a big wide open smile, and I took a massive, deep breath of
fresh, clean and above all warm air, drinking it down like a dehydrated lost
wanderer in a desert.
“Little
darling, the smiles returning to the faces ...”
I bent
forwards, dragged my fingers through the water, scooped up two handfuls of
warm, silky salty water, and splashed them on my face.
“little
darling, it feels like years since it’s been here ...”
Without
water we’d be fucked too. No water, no life on earth. Life-giving fresh water
comes form the salty oceans, where it’s been heated up by the sun until it
evaporated - leaving the salt behind - turned into vapour, absorbed into a
cloud, lifted shifted, blown and sifted hither and tither and all over the
show, pushed over land, driven high up over hills and mountains, until the
cloud gets too heavy and soggy to hold on to all the water, and it releases its
precious cargo of liquid gold, and rain falls all over the land, causing grass
and shrubs and trees to grow, providing sustenance and food to all animals and
critters, and giving them all a drink. Out here, on the water, mixed together
in the blender of the rolling surf, of the breaking wave that rises up and
crumbles forwards, were the three ingredients that enable all life on earth to
come into being: sunlight, air and water.
“Sun, sun,
sun, here she comes ....”
I spread my
arms out wide, to embrace all of the sun’s warmth, and the whole wide world,
and a realisation came to me, an epiphany from out of the cold of the Dark
Dawn: I’m fed up with the night. I want sunlight, warmth and daytime. I’m over
scuttling around like cockroaches before someone turns on the light in the
kitchen in the morning. I want to be able to enjoy the manifold pleasures of
the beach: to see the sunlight sparkle on the water, to see underwater rays of
light falling in streamlined shafts through the top layer of water, illuminating
the sandy bottom, the seagrass beds, the turtles and the stripy fish. Fuck the
cold dark night.
The sun
continued to rise, coating the surface of the water in liquid gold. I wallowed
in it like a buffalo in mud, happy as a pig in shit. Content with my new-found
realisation, with my conversion from Creature Of The Night to Worshipper Of The
Sun.
Time ran
out and we made our way towards the shore. I caught a succession of short waves
beachwards, then got stuck on the corner, where the rockfall forms a pointbreak
of sorts, with one big rock sitting prominently way out in front of the others.
We call it the Stone Of Destiny, because no matter where you take of from in
that area, you always end up right on top of it. There is a theory that it is,
in actual fact, a representative of an extremely rare type of mineral known as
Fibroverrite, which is only ever found in minute amounts, and only in rocks in
the middle of good surf breaks. Scientific experiments have found, to the
bafflement of those buffins performing them, that this rare trace mineral Fibroverrite
exerts a magnetic influence on surfboards made of fibreglass. Derived from the
Latin ‘findere’, in turn from the Proto Indo-European root *bheid- “to split”,
it seems to have as its sole goal in life, if minerals can be said to have a
life, the splitting of surfboards. This despiccable state of affairs is at
times made considerably worse by the deplorable fact that occasionally, no one
knows why, a Baboon can be observed sitting on top of the The Stone Of Destiny,
bellowing out songs to woe the unwary sea-traveller, by hurting their ears so
badly that tears fill their eyes, which causes them to not be able to see where
they’re going and, as a result, crash and flounder on the rock. In
pre-industrial days this was a major cause of shipwrecks in the area, which sustained
a thriving if highly illegal beach-combing industry and white-slave trade, and
was the ultimate underlying reason for the building of the lighthouse on top of
the Cape, to warn the unaware away.
In front of
the Stone Of Destiny I caught up with the Snake Catcher, also on his way back
to the beach, and also stuck there for a wave. We passed the time of day for a
bit, observing strict Social Distancing rules, till, finally, a wave of
sufficient calibre to take me out of there turned up, and I paddled, pulled in
and jumped up. Only to see, right there in front of me, a gaping brown hole
where the wave was sucking back and draining off the sand around The Stone Of
Destiny, looming large in front of me, not two metres away, grinning at me like
a Sumatran tiger that knows that behind you is a cliff with a sheer drop of a
hundred metres, your goose is cooked and so is his breakfast.
With
lightning speed informed purely by panic, not involving any skill or judgement,
I threw myself backwards, flying high over the crest of the wave, landing in
deep water behind it. I dived to the bottom, grabbed hold of a handful of sand,
twisted around and yanked my legrope as hard as I could. I had been riding a
board borrowed from The Library, a.k.a. the van of Chief Switchfoot, treasure
trove of a hoard of boards old and new, for the last few weeks, since my own
board had finally lost the will to live a while ago, and had gone into
spontaneous self destruction, no longer able to face life with me on its back
all day every day. Since that board in question had also, in point of fact,
been borrowed from the Switchfoot Library, the last thing I wanted was for my
current borrowed board to be smashed to fibreglass splinters. It’s not a good
look when you return something:
...’Here Chief, here’s your board back, thanks for
the loan.’
‘What’s
this?’
‘It’s the
board. What’s left of it. Oh, and here’s a bit more of it, in this bag over
here.’
It doesn’t go down well.
I reeled
the board in, safely away from the backwash coming off The Stone Of Destiny.
Inspected its nose with trepidation. Heaved a sigh of relief. It was
unblemished. Better return it soon, before it’s too late ...
Back on
shore we shot the breeze. Purchased hot drinks from a beach-side vendor. We
found a picnic table overlooking the bay, and reclined in the warm sunshine.
But there
were clouds blocking the sun, metaphorically speaking.
The whole
world was in lockdown mode, scrambling to cope with the virus laying waste to
every single country on earth. The greatest emergency the planet had seen for
over a hundred years. Everywhere people were being told to stay inside, do
nothing, not socialise with more than one other person at a time.
I looked
around me. Here at our table there were four of us. Chief Switchfoot and Baboon
on one corner, Snake Catcher and Uncle on the other corner. Were we keeping our
prescribed distance of 1.5 metres away from each other?
I frowned.
On the
track beyond our table, numbers of people in “active wear”, work-out leggings
and tops etc., were walking past, swinging their arms manically and pumping
their fists, ipods and phones plugged into their ears, stealthily but steadily
and inexorably causing irrepairable damage to their hearing. Streams of people
from both directions crossed over and disappeared the opposite way. Surfers,
like us, were loading and unloading boards, and, like us, passing the time of
day. Some observed respectful distances, like us; others didn’t even look like
trying. In the carpark, the daily hustle for a spot was continuing unabatedly,
with cars lining up one after the other, pushing and shoving each other, vying
for a spot by the water. This carpark was the only one left open now, due to
the emergency. With all other beach car parks in the shire closed, huge numbers
of people were converging on this break. Surely that was the exact opposite
effect of what was desired.
I shook my
head. I wasn’t at all convinced we were doing the right thing here. I got up,
got a tape measure out of my car, and measured the table. Corner to opposite
corner on the short side: 1.7 metres. Corner to far corner on the long side:
2.4 metres. Technically speaking, we were doing the right thing. As long as we
leaned back far enough when talking to each other.
A cop car
turned up, and as one we stood up and walked away, reverting, at least in my
case, immediately back to an instinctive distrust of police and all authority,
bred deep into me through long years of living as a bum in the long grass,
where police harassment and brutality were facts of daily reality.
Guiltily we
walked back to our cars, got in and drove away.
It looked
like, for the time being, it might be a better idea to stick with The Dark Dawn
rather than The Bright Sun, and avoid other people as much as possible. For the
sake of everyone’s survival.
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